There’s a reason Manhattan’s Upper East Side doesn’t get much of a mention in the guide books. It’s a pretty bleak part of town. No matter the weather, up there the sky is grey and washed out; the wind whips around corners of blindingly white buildings, and pedestrians wear a mask of grim determination as they scuttle to get anywhere else. Some days it’s just gloomy; on others, it’s downright bruising. And then there’s now.
I walked with C, west on 70th street, crossing silent, deserted avenues, making our way uncertainly, staring around in bleary disbelief. The lockdown was in full effect, the only signs of life a few exhausted hospital workers out for a desperate cigarette or a hurried bite from one of the few remaining bagel-and-coffee carts. Mealtimes, like sleep patterns, seem to have fallen by the wayside since the quarantining began. We eat and sleep whenever we feel like it, losing track of time and date. After a few blocks we realized we were both starving. This was not good. Under the new laws, restaurants could serve takeout food, but most weren’t, choosing instead to take the hit and shutter completely. The empty overpriced coffee chains offering their sad selection of apologetic pastries were somehow even less enticing than usual.
We pushed on, torturing ourselves by stopping to read the menus still plastered outside the neighbourhood’s fancier joints, when our eyes were caught by the glowing neon sign of a corner diner. We’d walked by this place countless times, always on our way somewhere, confident that it, like everything else, would always be there. We looked through the front window into a Hopper painting: a classic American diner, empty except for the proprietor standing behind the counter, towel slung over drooping shoulder, staring glumly back at us. His welcoming smile as we came in couldn’t hide the tired worry in his eyes. He motioned to the row of shiny plastic-topped stools bolted down in front of the formica counter. We took a load off and surveyed the situation: the polished surfaces of bright primary colours, the display case offering an ambitious selection of pies of various percentages; ketchup bottles and napkin dispensers; the antique milkshake machine, the stacks of chunky, off-white crockery; doughnuts on the counter, famous faces on the wall… the whole tableau enveloped in the same familiar uneasy quiet, punctured by the occasional blast of Merengue from the kitchen.
Our host solemnly presented the appropriately mammoth menu, a greatest-hits of American diner specialties: all-day breakfast, Belgian waffles, club sandwiches, chili, chicken soup… When you slide into a booth at an American corner restaurant, you’re not looking for individuality or innovation. You don’t even want excellence. You come here when you need something flavorful and comforting. Soothing and steadying. We immediately and wordlessly settled on a hot pastrami sandwich on rye. It was the only reasonable choice under the circumstances. And a pair of beers while we waited. We chatted with our man about the current situation (who talks about anything else these days?); he told us with good humoured resignation about the scarcity of customers, and his efforts to keep the joint running. In uncertain times, places like this– neighbourhood stalwarts– supply much more than food. They provide constancy and stability, an emotional anchor in the terrifying turbulence. But the trouble is double when the one thing people need in a crisis– human interaction– is the one thing we can’t have. He clearly felt a duty to sustain his neighbours, and was doing his darnedest, but the writing was on the wall.
Within minutes, a paper bag slid onto the counter. We chugged the rest of our beers, shared some last optimistic pleasantries, buttoned up our coats and shoved back out into the dreary street; strolled to the corner, leaned against a pole and had a picnic.
I’d be lying if I said it was the best pastrami sandwich I’d ever had. New York City has countless Jewish delis that wouldn’t use this thing to wipe the tables down. But at that moment, on that corner, with the world shifting beneath our feet, it was everything we wanted. The reassuring rye; the fatty, salty, smoky meat and warming mustard; the bracing vinegar and satisfying crunch of a shared pickle. In the strangest time, when New York looks and feels completely unlike New York, we had a genuine New York moment. It couldn’t have been more New York if I’d mugged her and she’d had me whacked. And then a rat had run off with our sandwich.

This post was suggested by C.
“New York has countless Jewish delis”? Really?! Is Queen still around, on Lex just shy of the 86 or 96 St stop? Pastrami King, on Queens Blvd, closed a while ago. [too much local colour?!] I did go to Katz’s eight days ago, and it appears that the same neutron bomb, that hit UES, shrunk LES. As usual, I enjoy your writing, especially the “apologetic pastries,” Nick. Does she do any writing? Have you loaned her my book?!
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I was thinking of Katz’s, Barney Greengrass, Russ & Daughters… But there are lots of small ones, especially in BK aren’t there?
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Russ, sure, but that’s take out only? And is Queen or King Pastrami still on Lex?
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Russ has a great restaurant on Orchard, around the corner from the deli. Not sure about the places on Lex. Must investigate after this is all over…
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i love how yer always seemingly !! looking for food !!! and the attendant adventures !! real nourishment from the front lines !! much appreciation and love to u both in these crazy times,,,,without humor..we are really lost !! blessings and happy hunting !!
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So good Nick. I could actually picture that Hopper painting diner. And the fatty, smoky pastrami sandwich…..I could taste. Loved the ending. This should be in the New Yorker. Submit!! You are an amazing writer.
Take care you guys, Laura
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